Encountering such passages can be problematic for women who are involved in the attempt to develop a distinctively feminist approach to philosophy.
According to Aristotle and Aquinas, a woman is a ‘misbegotten male’. They are ‘big children their whole life long’ (Schopenhauer). A logical fallacy is an incorrect argument in logic and rhetoric that contains a fatal flaw which undermines its soundness, thereby leading to an erroneous.
Women are described as ‘the devil’s gateway’ (Tertullian). In its figurative senses, a red herring is either (1) a piece of information meant to mislead investigators, (2) a lead that turns out to be false (not. the puzzling question of the nature of ‘woman’.1 Who is woman? What does ‘she’ want? Almost uniformly, such passages offer answers to this ‘question’ which describe women in deeply unflattering terms. Margaret Whitford writes of the surprise she felt when she realized the extent to which misogyny determines the thoughts of the ‘great’ philosophers of the western tradition when they turn their attention to. When surveying the development of philosophical ideas, it should be noted that a significant part of what passes fir the canon of western philosophy goes unnoticed or is consigned to silence. The following research presents comic art as a spatial deviation from the traditional mediums of storytelling to a more easily accessible yet sophisticated body of work by decoding and analyzing the structure of the unique language of sequential visual art portrayed in Albert Uderzo and René Goscinny's Asterix and Cleopatra (1982). Arthur Danto in his book The Transfiguration of Common Place (1981) expresses how paintings have the potential to go beyond the contemplation of merely the aesthetic qualities to an externalization of an artist's consciousness. A Red Herring argument is one that changes the subject, distracting the audience from the real issue to focus on something else where the speaker feels more. The marginalization of comics in both branches of literature and art allows diverse thematic expressions otherwise difficult to represent through traditional tools of expressions. Also called red-herring prospectus red-her-ing. The distribution of symbols and patterns in the practice of comic art systematically results in a novel language that is flexible enough to hold diverse themes relatable across age groups. something intended to divert attention from the real problem or matter at hand a misleading clue. The structure of sequential visual art allows written text and visual images to converge at a common space devoid of polarizations.
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